I spent half of July and most of August rehearsing and acting in a play that was part of the New York Fringe Festival. I won't name it, but I will say that it was a mildly interesting play and an excruciating run. My favorite thing about the entire experience was becoming acquainted with the other actors and the stage manager, who turns out to be a costume geek like myself. (Hooray, another costumer on the Eastern coastline!)
A final, important note on the Fringe play: If anyone has the opportunity to work with one Thomas Praino in the future, please feel free to contact me about my experiences during this production, in which he acted as playwright, director, and producer.
After the final show, the stage manager and I wandered around the most interestingly appareled areas of the city, and had heaps of fun picking out costumes that the men of the play would have been wearing if we'd had our say - and a considerably larger budget. The show shifted from the middle-east, to some steampunk era, and then settled in baroque Europe with considerable punk, goth, and steampunk influences. If we'd had those costumes during the run of the show, they would have more than made up for the minor imperfections in each performance.
In the next post, it's back to costuming. I just had to get the weight of the Fringe play (like the Scottish play, you see, but less noteworthy). I'm also back to opera - Freaking YAY!
a fair to remember
1 day ago